Category Archives: Uncategorized

Chishua River 2025 Forum: Global Fine Wines & Liquors

During the Chishui River 2025 Forum held recently in Guizhou Province, south-western China, a global declaration on fine wines and spirits from the Chishui River was released. This declaration is an exhortation to wine and spirits producers to respect nature and safeguard the environment, uphold quality and pass on culture, promote rational and healthy alcohol consumption, take responsibility and serve society. Furthermore, during the Forum, it became clear that wind energy and wine and spirits producers need to pursue technological empowerment and integrated development, promoting openness, inclusiveness and mutual respect, encouraging exchanges and mutual learning for coexistence and shared prosperity.

Global Fine Wines & Liquors Declaration of Chishui River

In our shared pursuit of promoting exchanges, mutual learning, coexistence and common prosperity in the global wine and liquor sector, fulfilling social responsibilities, building consensus for development, and advancing the industry’s progress, we hereby jointly issue this declaration on the banks of the Chishui River:

I. Respect nature and safeguard ecology

Respect and protect water sources, climate, raw materials and other brewing resources, adopt green and sustainable production methods, and safeguard the ecological balance.

II. Uphold quality and inherit culture

Adhere to innovation based on inheritance, improve the full-chain quality management system, achieve outstanding quality with craftsmanship, and pass on the intangible cultural heritage and classic techniques contained therein.

III. Advocate rational and healthy consumption

Strengthen public guidance, advocate moderate drinking, carry out responsible marketing, and foster a civilized, healthy and enjoyable drinking culture.

IV. Fulfill responsibilities and serve society

Integrate ESG principles into the entire development process, and contribute to a more harmonious social environment through public welfare practices and a sustainable ecological system.

V. Pursue technological empowerment and integrated development

Proactively embrace modern science and technology, advance digital-intelligent transformation, enhance product stability and style diversity, and provide consumers with high-quality and diversified options.

VI. Cultivate innovative experiences and enrich connotations

Explore the spiritual value and historical depth of drinking culture, and create drinking experiences that are ritually rich, culturally meaningful, and interactive.

VII. Foster openness, inclusiveness and mutual respect

Respect the historical origins, etiquette and brewing techniques of all alcoholic beverages around the world, honor the cultural customs of all parties, and use these drinks as a bridge to enhance understanding and jointly safeguard the rich landscape and spiritual core of global drinking culture.

VIII. Promote exchanges and mutual learning for coexistence and common prosperity

Establish a regular and diversified international dialogue mechanism, organize activities such as cross-border tastings, exchange visits, and cultural forums, promote mutual learning through exchanges, and achieve coexistence through integration.

Let’s take the Chishui River as the starting point, unite our efforts, and forge ahead with unwavering determination to jointly fulfill our commitments and create a sustainable and prosperous future for the global beverage alcohol industry.

Contribution by Prof. Andrei Chevelev on “Symbiosis between Heaven and Earth”

Across civilizations, “Heaven and Earth” have symbolized the order of nature and the destiny of humankind. To live in symbiosis with them means to recognize that human prosperity depends on ecological balance, and that our cultural traditions are themselves born from the landscapes, climates, and resources that sustain us.

In Chinese thought, this harmony is expressed through the ideal of the unity of nature and humanity. In many ways, this concept resonates deeply with UNESCO’s vision of sustainable development and cultural diversity — that our material progress must be guided by respect for both the natural and the cultural ecosystems that nurture human creativity Looking from the West, we are convinced that the Chinese culture is firmly based on the tea. However, with all our respect for remarkable Chinese tea, we clearly understand that it would not bring together so many outstanding people far from the capital. So, the conclusion is clear- Maotai is this unique and magic instrument which has been a key to Chinese traditions and a historic window to the world.

Beyond its taste, Moutai is an emblem of harmony:

• Harmony between man and nature, through respect for natural rhythms and local ecology;

• Harmony between tradition and innovation, as ancient techniques are preserved while modern standards of sustainability are embraced;

• Harmony between people and nations, as Moutai has become a symbol of cultural dialogue — a bridge between China and the world.

In 2021, Moutai was included in the national list of intangible cultural heritage — not just as a beverage, but as a cultural ecosystem that embodies the Chinese philosophy of “Heaven–Earth–Human” unity. This idea of harmony through alcohol culture is not unique to China; it is a shared human story.

In Japan, for example, the brewing of sake follows a sacred rhythm linked to rice cultivation, water purity, and seasonal festivals. The brewers’ dedication reflects the Shinto belief that natural elements — mountains, rivers, grains — possess a divine spirit. Sake-making, therefore, becomes a form of worship — an act of gratitude to nature. UNESCO recognized this living tradition as an element of intangible cultural heritage, illustrating how ancient wisdom can guide sustainable practices even today.

In France, the wine-growing landscapes of Burgundy and Champagne tell a similar story. These regions, also recognized by UNESCO, demonstrate how generations of vintners have cultivated a landscape that balances agricultural productivity with environmental preservation. Vineyards are not only economic assets; they are cultural landscapes, living testimonies to the mutual respect between people and the earth.

These examples — from Moutai to Vodka and Sake and to French Wine — remind us that cultural heritage and sustainability are inseparable. When we protect living traditions, we also protect the environments that sustain them. When we value heritage, we encourage responsible production, ecological stewardship, and intergenerational transmission of knowledge. In the words of UNESCO, “Cultural diversity is as necessary for humankind as biodiversity is for nature.” Now, I would like to say something as a recent winner of the title “Guardian of National Culture” established by Renmin Ribao, People’s Daily.

What you are doing here, has an official name – safeguarding the Cultural Heritage.

And more precisely – Intangible Cultural Heritage. Because liquor making, especially in the case of Maotai, it is a “know-how” transmitted through generations and centuries. It is an out-of-time sign of the Chinese cultural identity. Every Chinese in every corner of our planet while tasting Maotai will remember his country, his family, his friends. Wine, whisky, cognac, vodka, or Maotai- each of them reflects a philosophy, a way of life, and a vision of beauty. This is why today’s dialogue is not simply about beverages. It is about understanding each other through what we create, through what we share.

It is about our common values.

A year ago, I was privileged to attend personally in Beijing the speech by President Xi Jinping on the occasion of the 75th anniversary of the establishment of the People’s Republic of China. The President said: “Humanity lives on the same planet, and people of all countries share a common future”. These words are exactly about what we make and what we give. This approach invites us to see traditional industries — including liquor-making — as laboratories of sustainability, where ancient knowledge and modern science can cooperate for the common good. The Moutai Forum offers precisely that: a platform where policymakers, entrepreneurs, and scholars can exchange ideas on how to integrate cultural heritage preservation into sustainable development strategies.

Imagine partnerships between the liquor-producing regions of the world — China’s Moutai town, Japan’s sake breweries, France’s vineyards — to share best practices in water conservation, renewable energy, waste reduction, and heritage education. Such initiatives would not only strengthen industries but also build a global alliance for cultural and ecological harmony. We were asked to think about the Generation Z and its specific choices. Frankly speaking, all of us are not thinking in these X, Y or Z age categories and I was surprized to know that all of my three children belong to this Generation Z.

Since then, I am trying to understand what is characteristic for them. Decoding Generation Z consumption is not just about understanding a generation. It is about decoding the next decade of growth and creativity. And this generation redefines what consumption means. Moreover, this generation Z will strongly influence the next one. The letter Z chosen for the current young generation, symbolizes an end of one tradition and a birth of another. They say that the next generation will bear the name “Alpha” and the circle will restart moving.

Born between the late 1990s and early 2010, Generation Z has grown up in a hyperconnected world: – digital, diverse, and driven by values rather than possessions. They have witnessed economic crises, climate anxiety, social activism, and the rise of authenticity as a currency. For them, drinking is not about intoxication, – it is about expression. It is social, symbolic, and increasingly selective. For previous generations, luxury meant exclusivity. For Generation Z, luxury means personal relevance. They care less about the logo on the bottle, and more about the story behind it: – the craft, the sustainability, the transparency.

As a European, I must confess: the first time I tasted Maotai, I was intrigued. It was unlike anything I had known before. It was not only a flavour – it was an experience. Behind its complex aroma, I could sense centuries of tradition, patience, and harmony. Maotai is not merely a drink – it is the embodiment of Chinese craftsmanship, philosophy and cultural pride. It reflects the Chinese belief that time, balance, and respect for nature are the essence of perfection. In Europe we also have our “spirits”: cognac from France, vodka from Russia – each born from local landscapes, climate and centuries of mastery. They too, tell stories of human creativity and connection to the land. But what unites all these traditions – East and West – is something deeper: the celebration of life, of friendship, and of the art of sharing. When we bring these traditions together – the refined precision of Maotai and the inventive artistry of Western liquors – we discover a beautiful harmony. We discover that the East and the West are not opposite, but partners in the same great human story. The President talked exactly about it. To cultivate the symbiosis between Heaven and Earth is to recognize that every drop of spirit — whether Moutai, vodka, sake or wine — carries within it a message of coexistence. It tells us that culture begins in the soil, matures in human hands, and blossoms in shared celebration. If we can preserve that harmony — between people and nature, between tradition and progress, between China and the world — then we will truly honor the legacy of Heaven and Earth. In a sense, every cultural dialogue is like distillation: through patience, respect, and openness, we create something pure.

  • Message of the Mongolian Ammbassador

  • Contribution of H.E. Sinisa Berjan, Ambassador of Bosnia and Herzegovina to China

We gather in the beautiful Maotai Town of China not only to discuss strategies for the development of the global liquor industry but also to use wine as a medium to promote dialogue between civilizations and connection between hearts and minds. On behalf of Bosnia and Herzegovina, I would like to extend our warm congratulations on the successful opening of this forum!

Bosnia and Herzegovina and China have long maintained friendly relations. In recent years, under the strategic guidance of our two heads of state, exchanges and cooperation between our two countries in the fields of politics, economy, trade, and culture have been continuously deepened. The relationship between our two countries has become a model of friendly cooperation between large and small nations and a fine example of developing countries joining hands to achieve modernization.

Wine is a common cultural language of humanity. In Bosnia and Herzegovina, we have a long tradition of wine-making and customs of warm hospitality. In China, the millennia-old liquor culture is imbued with the philosophical wisdom of “Harmony between Heaven and Man.” The theme of today’s forum, “Interweaving Harmony,” precisely encapsulates this wisdom – it advocates harmony and mutual prosperity for all things, which aligns perfectly with the pursuit of sustainable development in the global liquor industry.

Currently, the world liquor industry is facing the contemporary challenges of transformation and innovation. From ecological production to digital transformation, from cultural heritage to market expansion, we need more open vision and a more inclusive mindset. Bosnia and Herzegovina firmly believes that the diversity of civilizations is like the varieties of grapes – each flavor deserves respect, and every terroir is worth protecting. We also look forward to deepening cooperation with China and global liquor enterprises to build bridges in technology, trade, and culture.

Lastly, I would like to thank China Economic Information Service and Kweichow Moutai for initiating and organizing this forum. I also pay tribute to all friends who have contributed to cultural exchanges and industrial cooperation between China and the rest of the world. May we raise our glasses not only to savor the fine liquor but also to witness the blend of friendship and wisdom.

  • Contribution by Marco Leporati Managing Director Savino Del Bene Cina on The common view between China and Italy

In the past centuries the exchange between China and Italy has been continuous just few moments

  • When the Roman soldiers arrived in Gansu region ans some coin has been discovered
  • When Marco Polo did the long trip around China and he was surprised to find the first paper money printed in Hangzhou area.
  • When the Chinese emissaries from emperor arrived in Naples and Florence around the XV Century
  • In Beijing in China world art Museum in the circular room with the bas relief
  • Among the most important chinese persons contribute to development of China there are Marco Polo and Matteo Ricci
  • Regarding Opera the famous Opera Turandot with the music of Giacomo Puccini has some refrain took inspiration from chinese song

Also the food and beverage have some similarities.

China have 8 cuisines with a variety of thousands of dishes and a history of part of them.

The pasta or noodles, some way to cook the rice some bread like pizza make our two countries close. Regarding this issue I would like to entry more deeply in the common way to cook but unfortunately the time is limited. Italy because of the historical domination has collected a variety of dishes always related to the domination and population. In the specific topic of this conference we can observe that geographic features can offer for wine and liquor the same way to produce and to consume.

One common issue is the terroir and the same latitude. Here it is the kingdom of Moutai, drink with one thousand tears history. Italy is a kingdom of Grappa and Wine of course the row material is different: Maotai from cereals fermentation, grappa from pomace fermentation (skin seeds from grape previously used for wine production but for both products we have sou of the people. How to combine liquor, wine and fashion of lifestyle? It is possible because from my point of view we need to combine our tradition with the experiential. The last Italy-China fashion hold in Milan during the Milan fashion show in last September forging a new era of sino-italian fashion collaboration.

We know many Chinese designers and creators are using Italy like an incubator to create a new trend of fashion, also in this case, with tradition and future vision.

Confucio said:

If your plan is for one year sow the rice

If your plan is for the years plant the trees

If your plan is for 100 years educate the children

This is the path we have to walk.

Col Vetoraz presents Coste di Levante, Ponente and Mezzodì

We are in the Prosecco area with the three new Valdobbiadene DOCG wines Coste di Levante, Ponente and Mezzodì. With evocative names paying homage to the hills from which they originate, these wines are made from a careful selection of 100% glera grapes grown on the “coste”, the more or less steep hillsides facing east, west and south.

The Valdobbiadene DOCG Col Vetoraz wines,’ explains CEO and oenologist Loris Dall’Acqua, ‘are siblings from the same Mother Earth, namely the foothill system that winds its way from east to west, parallel to Monte Cesen, ideal for imparting good acidity and a good aromatic profile.

Coste di Levante Brut

The nose reveals notes of lemon and aniseed. On the palate, it has good volume and body.

This wine has great aromatic consistency, reminiscent of acacia citrus fruits and the fruitiness of white peach, pear and apple. It remains a very elegant wine, thanks above all to its very fine effervescence and good liveliness and persistence. Ideal with aperitifs and dishes based on shellfish, fish and white meats.

Coste di Ponente Extra Dry

This Extra Dry wine is produced from carefully selected grapes grown on the west-facing hillsides of Valdobbiadene.

It is a harmonious, elegant wine with a slight residual sweetness. The nose is fruity with hints of peach, pear, rose and honey. It pairs well with light dishes such as ricotta and spinach ravioli on a cream of Taleggio cheese or pappardelle with honey mushrooms, chestnuts and ricotta.

Millesimato Dry Coste di Mezzodì

We are in the hills facing south, growing citrus fruits, lemons and mandarins.

It is persuasive, elegant and complex on the palate, with a fine perlage, notes of freshness with liquorice and aromatic herbs, and a persistent finish that confirms its typical characteristics. It is an ideal wine to finish a meal, paired with panettone and homemade citrus cakes, or at other times of the day.

A Red for Summer, Kalterersee Classico Superiore DOC

Kalterersee Classico Superiore DOC celebrates this season’s joie de vivre.

A grape variety classic to the Alto Adige and increasingly planted and appreciated, the Schiava found its ideal habitat on the hillslopes around Lake Caldaro, and its quality here has won for it the designation Kalterersee Classico Superiore DOC.

Cantina Kaltern, boasting 590 member-growers cultivating 440 hectares of vineyards, is Alto Adige’s largest and most dynamic cooperative winery. Eloquent interpreter of the environmental equilibrium that the lake and its microclimate gifts to the local vineyards, it is the acknowledged ambassador of the Schiava, an intriguing, energy-laden variety that yields vibrant wines with supple tannins and lively drinkability that makes them delicious partners to a wide range of dishes. It is no wonder, then, that Kaltern’s Kalterersees are known as “brilliantly versatile,” loved by the younger generations who with uninhibited ease enjoy them at happy hour, with formal dinners, and convivial, spur-of-the-moment get-togethers.    

Served cool at 12-14°C, the shimmering red Kalterersee Classico Superiore is the classic way to celebrate that summertime joie de vivre, according to Thomas Scarizuola, Kellermeister of Cantina Kaltern.

The winery presents wine-lovers with three distinctive styles of Kalterersee, all on the market with the new vintages: Kalterersee DOC in the Classica line, Leuchtenberg among the Selezioni, and, finally, portfolio leader Kalterersee Classico Superiore DOCQuintessenz.  

Kalterersee Classico Superiore DOC 2023, part of the Classica line, is the perfect entry portal to the Kaltern Schiava universe. This shimmering, light-bodied red brings its fans immediately to the lakeshore: “It is the purest expression of both the grape variety and of the terroir represented by surrounds of the lake,” explains Scarizuola.

Leuchtenberg Kalterersee Classico Superiore DOC makes its debuton the market with the 2023 vintage. Full-bodied and almost electric in its energy, yet elegantly floral and with a full-flavoured finish, it perfectly embodies the genius loci of its terroir. “Here is a Selezione that is bursting with character, wondrously complex, yet pure pleasure to drink. It is made from the finest, hand-harvested grapes, ripened on low-cropped legacy vines in our historic vineyards,” commented Kaltern winemaker Scarizuola.

The very acme of quality achievable with the Schiava is represented by Kalterersee Classico Superiore DOC 2022, in the Quintessenz line. True icons of the winery’s winemaking philosophy, “the Quintessenz wines,” explained Scarizuola, “are made exclusively from the finest grapes we can raise in our best-quality vineyards, with vineyard yields far below those allowed by DOC production codes.” Elegance, finesse, and structure are the hallmarks of this Kalterersee, contributing to making it a thoroughly contemporary wine amazing its fans with its energy and thrust.  

Badia di Morrona and its estate-defining wines

Sangiovese VIGNAALTA, Bordeaux blend N’ANTIA, and the young Syrah TANETO

Between Pisa and Volterra, in the sensuously-contoured hills that stretch as far as Terricciola, lies Badia di Morrona, owned by the Conti Gaslini Alberti family since 1939. Theirs is the credit of intuiting that this particular growing area, with its beneficial climate and distinctive geological matrix, would offer an ideal terroir for both Sangiovese and international grape varieties.

“My father always believed,” explained Filippo Gaslini Alberti, who today directs the family estate, “that Sangiovese, Cabernet, Merlot, and Syrah as well, were all necessary and complementary grapes if the full winemaking potential of Badia di Morrona were to be realised. Over the years, study of the estate terroir has enabled us to better understand which areas to dedicate to the individual grape varieties, with the result that today we are proud to have crafted three wines that interpret, each with its own distinctive voice, the original timbre of this modest corner of Tuscany.”

VIGNAALTA and N’ANTIA are Badia di Morrona’s two historic crus, a monovarietal Sangiovese and classic Bordeaux blend, respectively. “Commitment to Tuscany’s royal grape but openness as well to international noble grapes north of the Alps” were essential components of Conte Duccio Gaslini Alberti’s vision and philosophy, as well as that of the winery today. TANETO, which debuted in the early 2000s, is the latest and most creative interpretation of Badia di Morrona. “Its leading grape, Syrah, succeeds in its expression of its terroir.”   

These three reds are today the most impressive ambassadors of a wine estate fully aware of its own history, sensitive to the challenges presented by the future, and, above all, enamoured of its growing area, a  terroir still little known yet of stunning beauty and impressive winemaking qualities.

VIGNAALTA,Terre di Pisa DOC, is the estate’s most aristocratic Sangiovese and proud denomination leader. It is produced from only the finest-quality grapes from the vineyard of the same name, which, as its name implies, covers Badia di Morrona’s highest hill. The 8-hectare parcel, caressed by constant breezes, is rooted in sandy soils rich in fossil coral, testimony of an ancient seabed. From the first sip it reveals a Sangiovese that is vibrant and elegant.

N’ANTIA Toscana Rosso IGT is a blend of Cabernet Sauvignon, Cabernet Franc, and Merlot from a single parcel of the estate’s oldest vineyards—over 35 years old. These striking “wooden sculptures” enjoy a clay soil with abundant travertine fragments and yield a wine of profound, forceful character.

TANETO Toscana Rosso IGT is a Syrah-based blend from vineyards planted in soils particularly rich in fossil shells. They contribute to TANETO’s marked minerality, which in turn perfectly complements Syrah’s classic spiciness.

The grapes, harvested exclusively by hand, are quickly brought to the semi-underground, energy-self-sufficient cellar. Following fermentation in stainless steel, the three wines then take different paths. VIGNAALTA spends two years in large oak ovals, while N’ANTIA and TANETO rest in standard oak barrels for 15 and 12 months, respectively. Finally, all three refine their qualities in traditional concrete vats before bottling.

This late autumn, VIGNAALTA 2019 and N’ANTIA 2020 along with TANETO 2021 land in both the Italian and international markets.

*

Badia di Morrona is located in Terricciola, between Pisa and Volterra. The heart of the estate is the ancient monastery, Badia di Morrona, dating back to 1000 AD. The iconic grape is Sangiovese, planted in more than half of the 110 hectares of vineyards owned by the estate, with the remainder in Vermentino, Chardonnay, Viognier, Merlot, Syrah, and Cabernet. This viticultural wealth yields a well-integrated collection of wines, which boasts coveted crus such as VIGNAALTA and N’ANTIA, of Sangiovese and Bordeaux varieties respectively, and TANETO, the quintessence of Badia di Morrona’s Syrah. The Chianti denomination is well-represented of course, with I SODI DEL PARETAIO in both standard and Riserva versions, and the estate offers also other more everyday labels. The wine portfolio is compellingly complemented by a welcoming hospitality programme: distributed throughout the estate are large, meticulously-restructured farm residences that are perfect departure points for leisurely exploring this still little-known world in Tuscany.

Tenuta La Massa Giorgio Primo 2019 joins the prestigious Place de Bordeaux

Tenuta La Massa is pleased to announce that this coming September will see the launch of Giorgio Primo 2019 on the prestigious Place de Bordeaux, an achievement quite apropos, since the estate’s winegrowing philosophy has always reflected a French style and an international spirit. “A position on the Place de Bordeaux for our estate’s iconic wine, the quintessence of our winemaking approach, is an opportunity to distribute into markets worldwide and represents the fulfilment of a dream,” commented estate founder Giampaolo Motta. 

Tenuta La Massa is the story of one-man’s search for a terroir on a par with his passions for viticulture and winemaking. In Motta’s case, they were formed in France then definitively rooted in Italy, in Chianti’s Conca d’Oro in Panzano where he found, in 1992, his terra electa, where he grows the vines that make up the superb portfolio of Tenuta La Massa. Motta’s vision to produce an iconic wine and bring it to the Place de Bordeaux is to come true, giving the opportunity of gaining wider recognition for Giorgio Primo on the international ultra-premium wine stage. “La Place de Bordeaux is, by universal acknowledgement, the most prestigious marketplace and distribution network for world-class wines, with particular emphasis on rarities and wines coveted by collectors,” continued Motta. “It is supported by more than 300 négociants, who sell to more than 170 countries across the globe.” 

The first Tenuta La Massa wine to be distributed on Place de Bordeaux will be Giorgio Primo. This cuvée of Cabernet Sauvignon, Merlot, and Petit Verdot is the culmination of continuous, painstaking efforts to achieve perfection, both in vineyard management and in winemaking practices. 

Barre & Touton, long-established courtiers of the Place De Bordeaux, are convinced that the world’s finest wines have their place on La Place. To manage that segment, Barre & Touton established a branch, “Les Vins d’Ailleurs”, directed by Laurent Dufau, dedicated specifically to iconic wines from outside of Bordeaux. 

The launch of Giorgio Primo 2019 will be coordinated by Barre & Touton “Les Vins d’Ailleurs” and offered through a select group of négociants: La Bordelaise des Grands Vins, Crus et Domaines de France, Maison Descaves, Dubos, Joanne Rare Wines & Millesima. 

“We are delighted to be able to represent Giorgio Primo and the winemaking philosophy of Tenuta La Massa,” stated Dufau. “We are honoured to accompany Tenuta La Massa on this new adventure and to offer their wines to the world through Place de Bordeaux.” 

Giorgio Primo 2019, the fruit of years of study of the complex local terroir, is a blend of 55% Cabernet Sauvignon, 40% Merlot, and 5% Petit Verdot, which creates a complex, symphony of aromas in the glass. The vines are planted in schist clay, galestro marl and limestone creating distinctive wines that are a true reflection of the terroir. 

The 2019 growing year was characterised by normal weather and by groundwaterreserves that filled over the winter and spring, thus enabling the vines to cope with the summer heat. 

A warm summer with some rainfall, and a normal ripening curve, plus cooler temperatures during the harvest in late September, preserving the grapes’ crisp, elegant aromatics. “That courageous decision to await peak ripeness, the outstanding combination of temperatures and rainfall, and the excellent management of the macerations and maturations in oak,” commented Giampaolo Motta, “meant that we have delivered beautifully balanced wines with exceptional polyphenol concentrations. Both elegance and power, which combines with a superb and savoury finish, the generous gift of our soils.”
A wine, that reflects the land and the interpretation of man. 

***

In 1992, Giampaolo Motta, Neapolitan by birth but Tuscan by adoption, encountered La Massa, and that moment formed an indissoluble bond between the man and his terroir. The estate, lying in the magnificent Conca d’Oro of Panzano, in the heart of Chianti Classico, boasts 25 hectares of southwest-facing vineyards. In the 1990s, he initiated a lengthy vineyard restoration project and in-depth terroir research, in an effort to give shape to his dream through his wines: Giorgio Primo, Carla 6, and La Massa. The viticultural and oenological pathways La Massa adopted “break” with traditional Tuscan practices, and the sapient hand of the winemaker ensures that the wines convey the interpretive force of the estate soils. La Massa, the first wine produced, is representative of the emphatic character of a rugged area like Panzano, but at the same time it displays the elegant oenological personality of its creator-winemaker. Next is Carla 6, dedicated to daughter Carla and made with grapes from vineyard parcel 6; a monovarietal Sangiovese, it pays tribute to the grape that embodies Tuscany. Giorgio Primo, named after his grandfather & his son, is a cuvée of Cabernet Sauvignon, Merlot, and Petit Verdot that synthesises the estate as well as its uninterrupted, near-obsessive striving for perfection, both in the vineyards and in the winecellar. 

Poggio alle Gazze dell’Ornellaia:2021 vintage is on the market

Mediterranean elegance, balance and freshness. These are the hallmarks of Poggio alle Gazze dell’Ornellaia, and the 2021 vintage – on the market since March – is not an exception. A Cuvée based on Sauvignon Blanc with small percentages of Vermentino, Viogner and Verdicchio, Poggio alle Gazze dell’Ornellaia enriches the mosaic of the wines of the Tuscan coast with its own personal point of view.

Brilliant, delicately sunny and also deeply identifying with the terroir of the estate, Poggio alle Gazze dell’Ornellaia 2021 “is complex and seductive, sporting a riot of citrus notes, exotic fruits, white flowers, accompanied also by scents of cut grass and asparagus,” explains the winemaker Olga Fusari, “the taste closes in a long savory and mineral finish, which well represents the territory in which it was born.”

An exciting sip that tells the constant dialogue between territory, man and a climate that is always particularly benevolent here.  Indeed, 2021 began with a mild, rainy winter and a regular spring. Ideal conditions to easily cope with the hot and dry summer (especially in August) as it often is on the Bolgheri coast. Constant breezes from the sea and temperature fluctuations between day and night accompanied the perfect ripening of the grapes, which were harvested in the very early hours of the morning starting on August 18 for Sauvignon Blanc, followed by Viogner and Verdicchio and ending in the second week of September with Vermentino. After a slow and soft pressing of the bunches and an alcoholic fermentation of no more than 22°C, the wine went through a cellar process divided between wood, cement and steel, followed by aging in the bottle for about a year.

Today Poggio alle Gazze dell’Ornellaia 2021, tells with style and confidence an exemplary vintage and a coast that is a symbol in the world of harmony and beauty.

New record set for Masseto

A sale of wines released directly from the Masseto Caveau surpasses the high estimate to bring a grand total of €376,625

Nebuchadnezzar of the 2010 vintage sells for a record €56,250

Sotheby’s sale of wines released from the Masseto Caveau concluded yesterday, having achieved an outstanding total of €376,625 with all 46 lots finding buyers and selling for prices above their high estimates. The announcement of the auction in March created much excitement and anticipation among wine collectors, and by the time the first day of bidding on 12 April drew to a close, the sale was already 100% sold. As the lots began to close yesterday, a flurry of bids resulted in a final total far beyond a pre-sale estimate in the region of €200,000, with collectors across Europe, the Americas and Asia competing to purchase one or more of the extremely limited number of 132 bottles on offer in varying formats. The sale was led by a nebuchadnezzar of the 2010 vintage, which sold for €56,250, tripling its estimate and establishing a new record for any bottle of Masseto at auction.

Amayès Aouli, Sotheby’s Head of Wine, Europe, said: “These standout results, not least the record price for the nebuchadnezzar, are testament to the quality of the wine produced by Masseto and the unprecedented opportunity to acquire bottles directly from the Masseto Caveau. We saw bids coming in from all over the world, with competition among both established collectors and buyers new to Sotheby’s. It has been a pleasure to partner with this iconic estate for such a special occasion and to bring their wines to as wide an audience as possible.”

Giovanni Geddes, CEO Masseto says: “We are truly proud of the results that went beyond our expectations. We would like to thank all wine collectors and buyers for their enthusiasm showed towards our wines. This is the best recognition Masseto can receive. We would like to thank Sotheby’s as well for their professionalism and passion during this collaboration.”

 

Axel Heinz, Estate Director concludes: “It is an honor to know that the work of our team is highly esteemed internationally. We are very pleased that these wines will be kept and also enjoyed by collectors who appreciate their identity, history and uniqueness.”

For this special sale, Sotheby’s joined forces with Masseto earlier this year to select vintages directly from the most secret space in the winery’s cellar carved deep beneath the vineyard above – a stunningly designed location where bottles of every Masseto vintage rest in perfect conditions, each protected in its very own steel cradle. The contents of the auction spanned three decades, including 35 cases containing the 2006, 2010 and 2011 vintages, as well as magnums, double magnums, imperials and a single nebuchadnezzar. Among the top lots were two imperials of the 2001 and 2016 vintages, which sold for €15,000 each.

All the bottles from the Masseto Caveau were presented for sale in numbered cases handcrafted in oak and containing a certificate of origin signed by Axel Heinz, Estate Director. Furthermore, every bottle came to auction with a Prooftag®, attesting to the wine’s authenticity, including the date when the bottle left the Caveau stated on the front label: April 2023. In addition, Caveau features on every capsule as well as on the seals of guarantee that close the wooden cases, a singular confirmation of watertight provenance.

Masseto has gained a unique place in the pantheon of collectible wines, to become one of the most valuable, coveted wines in all of Italy and beyond. The estate is located on a magical hillside on the Tuscan Coast where unique, individual, complex, compelling yet elegant wines are being produced, with each vintage having the specific personality of Masseto, but always showing a different facet.

Full results available here.

Massetino 2020

Sharing the same genotype as its older brother Masseto means the perfect blend of power and opulence

The fourth vintage of the estate’s second vin, Massetino 2020 vaunts a clearly defined character emphasised by elegant flavours and aromas. “Massetino’s strong personality is not surprising as it shares the same DNA as Masseto. Just like its older brother, power and opulence go hand in hand with discretion and classicism,” explains Axel Heinz, Estate Director.

2017 was the year when Massetino made its debut. Now, after four magnificent vintages, this fine wine is an interpreter of the extraordinary terroir where the vines yield a powerful yet elegant expression. “Ever since the inception of Masseto, the grapes have undergone the strictest selection to ensure the best possible quality. In 2017, certain Merlot and Cabernet Franc parcels still had not developed sufficient calibre to be included in Masseto, although they showed the potential and personality, alongside other elements not used in the master blend, to make a second vin: Massetino.

Massetino 2020, which will be released to market on 1 October, is distinguished by an ever-changing microclimate and huge potential. After a wet and mild winter, the spring started slowly, protecting the buds from much-feared frost. A rainy June preceded a prolonged spell of drought and high temperatures until the end of August. The dry conditions prompted a superb, quick, yet even veraison. Rainfall in late August restored the required balance and lowered the temperatures. With swings in day-to-night temperatures, perfect conditions were created for the Merlot to complete the ripening, maintaining the freshness of the grapes. The Merlot was harvested in the first half of September, immediately followed by the Cabernet Franc.

Every parcel was vinified separately to guarantee the identity of each grape variety and vineyard section. Spontaneous fermentation took place in concrete vats using native yeasts aimed at minimizing human intervention and upholding the utmost respect of the grapes. The malolactic fermentation, on the other hand, occurred in 50% new oak barriques. After 12 months of ageing, the wine was blended and returned to the barriques for another 3 months prior to bottling, providing the time needed for each separate detail to become part of the elegant symphony of flavours and aromas.

Winemaker Gaia Cinnirella describes the colours, flavours and bouquet as “a perfect blend of power and opulence on the finish that displays the typical traits of the 2020 vintage. The deep purple hue immediately stands out at first sight, ready to show a strong identity. Ripe cherries and forest floor are discerned on the nose and pair perfectly with the crunchiness and freshness of the fruit in the mouth.” Massetino embodies the genetic makeup of a place where nature never ceases to amaze every year, always revealing new prospects for the future.

Nathalie Djurberg and Hans Berg for Ornellaia Vendemmia D’Artista 2019 “Il Vigore”

Charity auction supporting the Solomon R. Guggenheim Foundation’s “Mind’s Eye” program

From 5th to 19th October 2022

The charity auction of Ornellaia Vendemmia d’Artista 2019 “Il Vigore” organized by Sotheby’s gets underway from 5th to 19th October. Swedish artists Nathalie Djurberg and Hans Berg designed this vintage’s special labels and this year’s proceeds will once more go to the Solomon R. Guggenheim Foundation for the “Mind’s Eye” program.

Jamie Ritchie, Worldwide Chairman, Sotheby’s Wine says: “This is our twelve partnership with Ornellaia for their annual Vendemmia d’Artista project, which is so special to us because it supports worthy artistic causes and combines the brilliance of the estate’s wines with the visual ingenuity of the artists who take part. We look forward to presenting a range of bottles from the 2019 vintage “Il Vigore” later this year, headlined, as ever, by a unique Salmanazar. With its emphasis on the senses, the Mind’s Eye program has been the ideal beneficiary and, as in previous years, we expect these exclusive bottles to attract international interest from collectors eager to also enjoy the unique experiences on offer.”

Since 2019, the proceeds from the Vendemmia d’Artista charity auction have been donated to support this innovative program, which was created by the Guggenheim’s education department to help the blind and low-vision visitors to experiment with art by the fullest use of the senses.

This enables the development of creative impressions, emotional connections and lasting memories. As in all the arts, the appreciation of fine wines also necessitates the total engagement of the senses. Sharing this idea caused Ornellaia to support the growth of this innovative program.

Ornellaia’s generosity has provided for the expansion of Mind’s Eye, connecting participants across the globe through virtual programs, states Richard Armstrong, Director of the Solomon R. Guggenheim Foundation and Museum. “In the last three years, our knowledge has allowed Guggenheim New York to increase accessibility both to the museum and to works of art through multi-sensorial exploration. We are grateful for the ongoing support of Ornellaia.”

The Guggenheim stands out as an innovative institution for its commitment to accessibility and building the Mind’s Eye Community. Digitalization has enabled Mind’s Eye to reach a vast public from many countries around the world through its Sensory Guide to the Guggenheim New York or through Verbal Descriptions that use specific language to convey a visual experience for artworks and the unique architecture of the Frank Lloyd Wright designed building. 

The proceeds raised have allowed the program to be extended to the two other museums in the Guggenheim constellation, Venice and Bilbao, hence bestowing international prestige on the program.

For this reason, Giovanni Geddes da Filicaja, CEO of the Ornellaia estate, is excited to state: “Since the beginning of Vendemmia d’Artista in 2009, we have donated the proceeds from the auction to charity. It is immensely rewarding to see the project grow internationally and to know that the work we are doing gives the blind and low-vision persons the possibility to explore contemporary art through the senses. This sensibility has always been a key part of our philosophy.”

The genius loci of Bolgheri in the bright reflections of Poggio alle Gazze dell’Ornellaia 2020

Ornellaia is proud to present the 2020 vintage of Poggio alle Gazze dell’Ornellaia, which is enhanced by the Poggio alle Gazze dell’Ornellaia Ambassadors project that pays tribute to its relationship with the sea and land to which it belongs.

In Tuscany, wine is often regarded as red by definition. “And yet”, Axel Heinz, Estate Director, explains “with a clear vision, patient research into the best soil and aspect, a suitable selection of the varieties to be planted and a constant commitment to cultivating the vines with care and attention, we are certain that the genius loci of this unique land can also be conveyed in the straw yellow colour of our white wines.”

Poggio alle Gazze dell’Ornellaia owes its elegant Mediterranean style to the special microclimate that distinguishes the estate.

The 2020 vintage was characterized by a rainy yet mild winter. The budbreak occurred later than usual, shielding the vines from any frost damage. A still wet June was followed by a hot, dry summer. The harvest took place earlier, in the first half of August for the Sauvignon Blanc, Viognier and Verdicchio, while we were able to wait until September for the perfect ripening of the Vermentino. “The earlier harvest and the absence of particular water stress, due to the water reserves accumulated in June, enabled the grapes to convey all their hallmark aromas, especially the Sauvignon Blanc,Axel Heinz remarked. 

The winemaking and ageing must support the balance that distinguishes Poggio alle Gazze dell’Ornellaia, without distorting it, in addition to accentuating the texture, without making it heavier. In so doing, the bright colours and refined aromas are kept intact.

The practical winemaking choices are aimed at acquiring additional balance, layers of complexity that allow the wine to withstand the test of time and reveal its deepest soul and the ultimate expression of the terroir with the passing of the years.

The wine is made by gently pressing the grapes, followed by the decision to decant and allow half the wine to age in steel tanks, while the remaining half ages in barriques. The wine subsequently spends six months on the lees with bâtonnage.

The winemaker Olga Fusari, who is particularly attached to Poggio alle Gazze dell’Ornellaia and who has witnessed the revival in conjunction with its maiden vintage led by Ornellaia’s technical team, explains. “With its bright straw yellow colour, Poggio alle Gazze dell’Ornellaia 2020 displays beautiful aromatic complexity on the nose: woodland and white flowers, accompanied by white peach, sage and herbal notes, are released in the glass. On tasting, the wine fills the palate with elegance and decisiveness, showing the right balance between freshness, acidity and density. The finish is vibrant, lasting and on the savoury side.” 

The release of the 2020 vintage is also accompanied by the Poggio alle Gazze dell’Ornellaia Ambassadors project. This initiative is devoted to the Mediterranean Sea and Italian excellence. The ambassadors, who come from all over the peninsula and beyond, having been selected for their creativity and the quality of their cuisine, have created recipes that pair perfectly with Poggio alle Gazze dell’Ornellaia. The chefs that have taken part to this project are Daniele and Andrea Zazzeri, La Pineta in Marina di Bibbona, Gennaro Esposito, La Torre del Saracino in Vico Equense, Andrea Migliaccio and Salvatore Elefante, Il Riccio in Capri, Emanuele Riccobono, Ristorante Zagara in Sciacca, Pietro d’Agostino, La Capinera in Taormina, Enzo Florio, Da Tuccino in Polignano a Mare, Roberto Gatto, Cip’s Club in Venice, Domenico Soranno, Langosteria in Paraggi e infine Antonio Colaianni, Ristorante Ornellaia in Zurich. Their dishes reflect the same salinity of the sea that can be found in Poggio alle Gazze dell’Ornellaia, which has always borne witness to the evolution of mankind and its connection with a land that yields the centuries-old wisdom of time and patience.

« Older Entries